This work employs cold, rigid materials and structures to represent an “unchangeable essence,” while revealing its fractured surfaces in vibrant colors to visualize the “possibility of change” that emerges when that essence collapses. In other words, it suggests that identity is not fixed, but can continually expand and be redefined as it encounters new events and emotions. This reflects an exploration of “the beauty of coexisting with imperfection” and the process of discovering and affirming potential and possibility within one’s transformed self. The title “Unbound” symbolizes this paradoxical vitality.

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This concept also be applied to the way we perceive the functionality and value of objects. Unbound takes the form of a functional object, intuitively revealing the fundamental value of “usefulness” inherent in the existence of both humans and objects. Typically, damaged objects are considered to have lost their value based on the standard of “Perfect usefulness.” However, this work challenges that notion, instead viewing damage as a means of establishing uniqueness and identity beyond uniformity.

Hyunju Roh is a mixed-media artist from South Korea, currently working between London and South Korea.

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Her practice explores the ever-evolving nature of the self, focusing on how potential, vitality, and identity can emerge through experiences of imperfection and disconnection.

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Rather than presenting a fully complete being, she values the process of “becoming,” seeking to express the acceptance of change, the multiplicity of identity, and the possibilities found within vulnerability.